{"id":457,"date":"2014-05-27T10:24:08","date_gmt":"2014-05-27T10:24:08","guid":{"rendered":""},"modified":"2022-07-15T13:34:25","modified_gmt":"2022-07-15T12:34:25","slug":"smother-luis-gispert-2008-phoenecias-alternate-score-edit","status":"publish","type":"post","link":"https:\/\/www.ilovecubus.co.uk\/v3\/bloggosphere-v2-0\/smother-luis-gispert-2008-phoenecias-alternate-score-edit\/","title":{"rendered":"Luis Gispert &#8211; Smother (2008) (Phoenecia&#8217;s Score &#038; Edit)"},"content":{"rendered":"<p>Smother (Phoenecia&#8217;s Alternate Score &amp; Edit)<br \/>\nDirected by Luis Gispert<br \/>\nScore &amp; Sound Design by Phoenecia (Joshua Kay &amp; Romulo Del Castillo)<\/p>\n<p>From the New York Times review:<br \/>\n&#8220;A boy lies on a trampoline, clutching a boombox to his chest. Gradually the blue tarpaulin turns a sickly green as he empties his bladder. \u201cSmother,\u201d a riveting new 26-minute film at Mary Boone Gallery by the New York artist Luis Gispert, explores the relationship between this 11-year-old chronic bed-wetter, also depicted in the photograph at right, and his domineering mother. Like \u201cStereomongrel,\u201d Mr. Gispert\u2019s 2005 film collaboration with Jeffrey Reed, it follows a precocious pre-adolescent\u2019s odyssey through a perilous adult landscape &#8211; in this case 1980s Miami (where Mr. Gispert was raised).<\/p>\n<p>\u201cSmother,\u201d which has a script by Mr. Gispert and the artist Orly Genger and a soundtrack by the experimental duo Phoenecia, is the throbbing, flamingo-pink heart of Mr. Gispert\u2019s two-gallery show, at Mary Boone and Zach Feuer. With its tropical palette and episodic magical realism (which might be too real for some animal lovers), it can seem less like a film than a tenuously linked series of Mr. Gispert\u2019s stills. Dialogue is sparse, and as melodramatic as a telenovela\u2019s. The camera lingers over the spectacular stucco-mansion setting, which Mr. Gispert has aptly described as \u201cnarco-nouveau-riche.\u201d<\/p>\n<p>At Zach Feuer Gallery, a sculptural installation echoes the film\u2019s lurid scenery. Photographs of truck interiors, racing-striped walls and high-gloss, heart-shaped speakers put forth a Miami version of the hot-rod-inspired art that emerged in 1960s Southern California. &#8211; Karen Rosenberg<br \/>\nNotes:<\/p>\n<p>The alternate score &amp; edit is a remixed version of Smother including parts that were omitted from the release version. An alternate reworked 20 minute version of the score for Smother appears on Phoenecia&#8217;s &#8220;Echelon Mall&#8221;, a collection of works for art &amp; film. &#8220;Echelon Mall&#8221; is scheduled for release in March on Schematic.<\/p>\n<p>Full review &#8211; <a href=\"https:\/\/www.nysun.com\/article\/arts-dislocating-dreams\">https:\/\/www.nysun.com\/article\/arts-dislocating-dreams<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Smother - Luis Gispert, 2008 (Phoenecia&#039;s Alternate Score &amp; Edit)\" src=\"https:\/\/player.vimeo.com\/video\/2847839?dnt=1&amp;app_id=122963\" width=\"504\" height=\"380\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Smother (Phoenecia&#8217;s Alternate Score &amp; Edit) Directed by Luis Gispert Score &amp; Sound Design by Phoenecia (Joshua Kay &amp; Romulo Del Castillo) From the New York Times review: &#8220;A boy lies on a trampoline, clutching a boombox to his chest. Gradually the blue tarpaulin turns a sickly green as he empties his bladder. \u201cSmother,\u201d a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-bloggosphere-v2-0"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p7jnrg-7n","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":6,"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/posts\/457\/revisions"}],"predecessor-version":[{"id":1800,"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/posts\/457\/revisions\/1800"}],"wp:attachment":[{"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/categories?post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ilovecubus.co.uk\/v3\/wp-json\/wp\/v2\/tags?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}